Gordon Parks: Segregation Story (Nov 15 – Jun 7) opened this past Saturday at the High Museum of Art and it a stunning look at reality of life under segregation.
As the press release states:
The images provide a unique perspective on one of America’s most controversial periods. Rather than capturing momentous scenes of the struggle for civil rights, Parks portrayed a family going about daily life in unjust circumstances. Parks believed empathy to be vital to the undoing of racial prejudice. His corresponding approach to the Life project eschewed the journalistic norms of the day and represented an important chapter in Parks’ career-long endeavor to use the camera as his “weapon of choice” for social change. “The Restraints: Open and Hidden” gave Parks his first national platform to challenge segregation. The images he created offered a deeper look at life in the Jim Crow South, transcending stereotypes to reveal a common humanity.
Gordon Parks was a trailblazing artist and filmmaker. Parks was initially drawn to photography as a young man after seeing images of migrant workers published in a magazine, which made him realize photography’s potential to alter perspective. By 1944, Parks was the only black photographer working for Vogue, and he joined Life magazine in 1948 as the first African-American staff photographer. He would later go on to co-founded Essence magazine and served as the editorial director for the first three years of its publication. Parks later became Hollywood’s first major black director when he released the film adaptation of his autobiographical novel “The Learning Tree,” for which he also composed the musical score, however he is better known as the director of the 1971 hit movie “Shaft.” Parks received the National Medal of Arts in 1988 and received more than 50 honorary doctorates over the course of his career. He died in 2006
Kara Walker’s latest project “A Subtlety, or the Marvelous Sugar Baby” (2014) at the soon to be demolished Domino Sugar Factory in Brooklyn is a gigantic work that uses the history of the sugar trade and translates it into a installation of disturbing beauty.
Pérez Art Museum Miami: Parodi Lecture in Philosophy of Art
For the recent Tenth Annual Parodi Lecture in Philosophy of Art at the Perez Art Museum Miami, Carolyn Christov-Bakargiev, Artistic Director of dOCUMENTA (13) and guest professor in art theory and practices at Northwestern University, Evanston and Goethe University, Frankfurt, examined the question of the art exhibition dOCUMENTA (13) as an archive.
Watch and learn about the interwoven layers of thoughts, ideas and intellectual pathways that were part of this historic exhibition.
Clyfford Still, a contemporary of Jackson Pollock and Mark Rothko, rejected the art establishment when his career was blowing up. Watch STILL, a fantastic documentary about his life and works on your local PBS station.